Skip to main content

Low Income / Community Writing

This section is devoted to supporting writing communities, collaborative writing projects, and emerging writers who cannot pay for help. You can also find details of free workshops and drop-in sessions under Events.

Are you struggling to develop your writing while making ends meet?

I hope I can help.

I’m currently working on ways to raise funding which will enable me to offer all the options described in this website for free to emerging writers on limited means.

In the meantime, I’m keeping one client place available on a no-fee basis, along with two pay-what-you-can places. There’s usually a bit of a queue, but everyone does get their turn! So if you need help and can’t afford to pay, please don’t hesitate to get in touch, and I’ll do what I can.

Collaborative and Community Writing Projects

I’m passionate about the power of collaborative writing as a form of activism, and as a way of creating lasting change in communities.

At the moment I’m working on building a network of like minds for supporting and promoting collaborative writing projects, particularly those with a strong social justice/community restoration agenda. And I'm keen to help with whatever you’re doing right now — so, wherever you are, if you have a project in development and could use some extra enthusiasm and input, please get in touch and introduce yourself!

Whatever I can offer in the way of techniques, resources, encouragement or contacts, I will.

Here are a few examples of projects which have inspired me:

Sunsent over the sea near Wigtown, Galloway

Current Project: Booktown Writers

weed from a drawing wave cover

This small group is based in Galloway, in rural Southwest Scotland. They contacted me because they felt they were losing focus and momentum as a group, and starting to lack a coherent sense of identity and purpose. They offered me a mentoring mission: to help them revitalise and relaunch the group, and to continue developing as writers. The first thing we did was get together for a good long chat over a couple of days in November, which resulted in a plan involving:

  • A new manifesto and mission statement, expressing the values and priorities of the group
  • A new creative project, to be collaboratively written and performed with input from local communities
  • A collaborative publication based on the project
  • Individual mentoring of group members to help them achieve their own creative and professional goals
weed from a drawing wave thomas kyle sings bones

Phew! It’s all getting pretty exciting already, and I’ll be writing more about the progress of this project here. You can also read some tips for writers’ groups in my guest blog for Scottish Book Trust.

Booktown Writers have recently applied for funding to support this work. In the meantime, my contribution takes the form of spending a couple of days with the group every two months – which I’m happily providing in return for travel expenses, accommodation, forest walks, visits to harbourside pubs and the sheer pleasure of it!

Would you like to find out whether I can offer funded support to your writing community or project? Just get in touch for a chat.

I was so lucky to have concentrated sessions with the bubbly, enthusiastic whirlwind that is Sam Boyce, while a group of us were working on this project. Sam was personally a joy to be around, and then came the laser insight that took no prisoners. Sam is everything you want in a literary mentor: at once open and encouraging, and at the same time someone who lets you see where your vision is clouded, where your prose is stilted, where you can lift your work to a purer place. Closer to your original intention. She celebrates your talents, and chips away at the dead wood. Sam is what you want if you desire honesty and positivity in one little package.

Gerry (G.M.) Cameron, who also writes as Alicia Cameron.

If you get the chance to work with Sam, do it! Without her, this project would have languished in the doldrums. Her oversight gave it an engine and a purpose. We all tried to bring good work to our meetings without it ever being a chore, and when we applied her comments, it took our writing to the next level.

There were ups and downs throughout, but also joy because, although Sam is a consummate professional, working with her is fun. She engendered an environment where we could come to experimental creative decisions ourselves. One of these was to craft a chapbook with the stories we’d written. This was challenging but enormously satisfying from a creative point of view and pushed our skills set forward. On a personal level, this project and Sam’s input helped me identify my own artistic vision and to have confidence in it. These are the things I will take forward into my future writing.

—Jane Fuller

You can buy a copy of the chapbook Weed From a Drawing Wave from Jane by emailing janeswan.fuller at